
一千年以前 A Thousand Years Before (Yī Qiān Nián Yǐ Qián)
木乃伊 The Mummy (Mù Nǎi Yī)
编号 89757 No. 89757 (Biān Hào 89757)
莎士比亚的天分 Shakespeare’s Talent (Shā Shì Bǐ Yà De Tiān Fèn)
突然累了 Down Lately (Tū Rán Lèi Le)
明天 Tomorrow (Míng Tiān)
简简单单 Simply (Jiǎn Jiǎn Dān Dān)
无尽的思念 I Miss You (Wú Jìn De Sī Niàn)
盗 Thou Shall Not Steal (Dào)
听不懂没关系 Gibberish (Tīng Bú Dǒng Méi Guān Xì)
来不及了 We’re Out Of Time… (Lái Bú Jí Le)
一千年以后 A Thousand Years Later… (Yī Qiān Nián Yǐ Hòu)
The album starts of with the intro 一千年以前 A Thousand Years Before (Yī Qiān Nián Yǐ Qián). This instrumental is quite melancholy. The main instrument being the flute, it sounds very traditional and makes you think of long ago, almost ancient times. Its nice and a bit moving.
The next track on the album is the somewhat mid-tempo 木乃伊 The Mummy (Mù Nǎi Yī). I actually expected this song to be more up in the tempo, but I’m pleasantly surprised that it was not. The arrangement is really nice, it seems to draw you in and I loved the air or wind sounds at the beginning. JJ has a nice voice, that’s a give in, but I really liked how soft his vocals were in this, it gave this song a rather intimate feel.
The next track on the album ups the pace a bit with 编号 89757 No. 89757 (Biān Hào 89757). I don’t understand why JJ Lin’s songs always come across as so brief, I could barely even get into the song before it was over. It also seemed to just end and I really dislike when songs end so abruptly because it always confuses me. The arrangement is pretty rhythmic and consistent and JJ’s vocals suit the rather cool atmosphere of the song. I just wish it didn’t seem so short.
The next track on the album brings the pace back down with 莎士比亚的天分 Shakespeare’s Talent (Shā Shì Bǐ Yà De Tiān Fèn). Ah, this song seemed brief as well, which is a shame because I was enjoying it a lot. It sounded so sweet, but a sad kind of sweet. The longing of the guitar melody and JJ’s even moreso longing vocal performance; it creates such an atmosphere of melancholy.
The next track on the album is the weepy 突然累了 Down Lately (Tū Rán Lèi Le). I say weepy, because during the chorus he sounded like he was whining. I still like this song though. It sounds so familiar, especially at the beginning, it sounds like an American song I’ve heard before, but I can’t really put my finger on it. I like how natural this song sounds and JJ’s rather sincere vocal performance.
The next track on the album is the underwhelming 明天 Tomorrow (Míng Tiān). I’m wondering what I’ve always been listening to, because I recall always liking this song, but at the same time I recall always thinking it was down-tempo. Its more along the mid-tempo range, sounds a bit edgy arrangement wise, but bland and flat. JJ’s vocals are OK, but nothing that really wows. This song is pretty forgettable.
The next track on the album brings the temp back down with 简简单单 Simply (Jiǎn Jiǎn Dān Dān). This is a pretty simple song, it certainly reflects the title. I love how soothing the arrangement is, it seems to just wash over you in the nicest of ways. JJ sounds awfully nostalgic, I just got that vibe. His vocal performance is lovely, I know… lovely? Yeah…
The next track on the album keeps the down-tempo’s coming with 无尽的思念 I Miss You (Wú Jìn De Sī Niàn). Is this song really over three minutes, because it played more like two. I mean one minute JJ is singing low and nice-like and the next thing I know he’s getting into the song and straining all over the place and it just left me exasperated, because there was like no need for it. This could have been good, but it plays like an interlude song and not a good one either.
The next track on the album is the confusing 盗 Thou Shall Not Steal (Dào). The title is rather odd, but I choose to just ignore that fact, especially considering how ‘thou shalt not kill’ would have suited the atmosphere of this song a lot better. This song is rather aggressive, but it makes me curious, because I’m not sure what he was going for or why towards the later half he features some random tidbits of a couple of his other songs, I mean what was the point of that? This song plays without being felt and I found that I didn’t really care for his vocal performance.
The next track on the album is the up and down 听不懂没关系 Gibberish (Tīng Bú Dǒng Méi Guān Xì). This song is a bit weird to me as JJ jumps from down-tempo to about mid-tempo and though its creative and different, I just wasn’t really feeling it. The down-tempo parts are pretty boring and the up-tempo where’s he’s rapping/talking just isn’t very memorable.
The next track on the album is the interlude 来不及了 We’re Out Of Time… (Lái Bú Jí Le). Uh… some people are talking frantically, its a bit dramatic, but forgettable as well.
The last track on the album is the ancient sounding 一千年以后 A Thousand Years Later… (Yī Qiān Nián Yǐ Hòu). Oh, this song sounds so ancient, but that could be because of its traditional arrangement. This is quite literally the first song by JJ Lin I ever heard, but at that point I had no idea it was him singing this song or about him for that matter. I use to listen to this everyday, agonizing over who the singer was and wishing I knew so I could look for some more of his music. I was so surprised when I finally listened to this album and heard this song, it was really crazy. I only wish I could find out the singers of some of my other favorite songs from back in my mix-tape well CD days. I really like the flute in this, very nice and different. JJ also gives a good vocal performance. In all truth this song has dimmed a bit, since I find that I don’t really care for it as much as I once did, its still a good song though and a nice end to the album.
-GRADE: B-/C+
Rating: *1/2 stars
JJ Lin’s third album No. 89757 is OK but its not very memorable, not in the least. It’s a twelve track, ten is you exclude the intro and interlude, album, but it plays more like a mini album, because the songs are so short you blink yours eyes and they are over. JJ introduces nothing new or even different this third time around and by no means can this hold even a lighted match to his second album. The only songs that have even some semblance of being remembered once the last track fades is The Mummy, Shakespeare’s Talent and A Thousand Years Later…. No. 89757 plays a bit like Usher’s album 8701, you think its going to be good, but in the end its pretty underwhelming.